{"id":440,"date":"2020-09-10T09:27:00","date_gmt":"2020-09-10T09:27:00","guid":{"rendered":"https:\/\/www.kammerata.lu\/audio\/cd-hommage-a-schumann\/"},"modified":"2020-10-13T08:52:48","modified_gmt":"2020-10-13T08:52:48","slug":"cd-hommage-a-schumann","status":"publish","type":"audios","link":"https:\/\/www.kammerata.lu\/en\/audio\/cd-hommage-a-schumann\/","title":{"rendered":"CD Hommage \u00e0 Schumann"},"content":{"rendered":"

Robert Schumann 1810-1856
\n<\/strong>Fantasiest\u00fccke Op.73\u00a0<\/strong>arranged by Aribert Reimann, for clarinet, flute, harp & two violas (2007)<\/p>\n

Gy\u00f6rgy Kurt\u00e1g b. 1926
\n<\/strong>Hommage \u00e0 R. Sch. Op.15d\u00a0<\/strong>for clarinet (and bass drum), viola and piano (1990)<\/p>\n

Robert Schumann
\n<\/strong>Sechs Ges\u00e4nge Op.107\u00a0<\/strong>arranged by Aribert Reimann, for soprano und string quartet (1994)<\/p>\n

J\u00f6rg Widmann b. 1973
\n<\/strong>Nachtst\u00fcck<\/strong> for clarinet, cello and piano (1998, rev. 2008)<\/p>\n

Robert Schumann
\n<\/strong>Sechs Studien in kanonischer Form Op.56\u00a0<\/strong>arranged by Theodor Kirchner, for violin, cello and piano (1885)<\/p>\n


\nKAMMERATA LUXEMBOURG<\/strong><\/p>\n

B\u00e9atrice Rauchs piano
\nIsabelle Tr\u00fcb piano
\nCatherine Beynon harp
\nMariette Lentz soprano
\nMarkus Br\u00f6nnimann flute
\nS\u00e9bastien Duguet clarinet
\nNelly Guignard violin
\nEsra Kerber viola
\nMarc Jacoby violin & viola
\nNiall Brown cello<\/p>\n

 <\/p>\n

The creative genius of Robert Schumann, his unbridled, dreamlike fantasy and his close affinity to
\npoetry and literature, has inspired many composers after him. This highly original program offers
\nseveral works written as Hommage \u00e0 Schumann: by Gy\u00f6rgy Kurt\u00e1g (Hommage \u00e0 R. Sch. for clarinet,
\nviola and piano), J\u00f6rg Widmann (Nachtst\u00fcck, for clarinet, cello and piano), as well as original works by
\nSchumann himself, arranged for different ensembles by Aribert Reimann (Fantasiest\u00fccke Op. 73, for
\nclarinet, flute, harp, two violas and 6 Ges\u00e4nge Op. 107 for soprano and string quartet) and Theodor
\nKirchner (Sechs Studien, for violin, cello and piano).<\/p>\n

 <\/p>\n

\u2026 This recording is a gratifying compilation of gentle tones and with its arrangements and recreations
\n<\/em>treads an original path to Robert Schumann. This is what Kammerata Luxembourg stands for: an ensemble
\n<\/em>that displays its country of origin in its name and is fundamentally an innovative chamber
\n<\/em>music ensemble, with a new name to mark the occasion.<\/em><\/p>\n

With Hommage \u00e0 Schumann, Kammerata captures the strong influence that the great Romantic
\n<\/em>master continues to exert on his contemporary counterparts.
\n<\/em>\u2026 Overall a recording deserving of a high repertoire value.
\n<\/em>Johannes Killyen in “Das Orchester” 2019<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

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