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A journey through the heart of 20th-century musical modernism<\/em><\/p>\n At the beginning of the 20th century, the saxophone was still a relatively young instrument \u2013 and precisely for that reason, particularly open to new musical ideas. This programme explores the many different ways in which composers approached its sound world, moving between chamber music, jazz and modern musical language.<\/p>\n In Paul Hindemith\u2019s Trio op. 47<\/em> (1928), the tenor saxophone becomes an equal partner to the viola and piano. Two years later, Erwin Schulhoff\u2019s Hot-Sonate<\/em> combines the classical four-movement sonata form with the energy and rhythmic drive of jazz. Shaped by Dada and the social upheavals that followed the First World War, Schulhoff saw jazz not as a mere stylistic effect, but as the expression of a new era.<\/p>\n Claude Lenners\u2019 Dialog V<\/em> brings this idea of exchange into the present day, with saxophone and percussion engaging in a direct interplay of impulse, colour and resonance.<\/p>\n The programme concludes with Darius Milhaud\u2019s La Cr\u00e9ation du monde<\/em> (1923). Inspired by his encounters with jazz in Harlem, Milhaud blends blues, syncopation and jazz-inflected colours with European compositional techniques. Here, the saxophone becomes a bridge between different musical worlds \u2013 and it is precisely this spirit of openness that shapes the programme as a whole.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n <\/p>\n Program<\/strong><\/p>\n PAUL HINDEMITH (1895 \u2013 1963) ERWIN SCHULHOFF (1894 \u2013 1942) CLAUDE LENNERS (1956) DARIUS MILHAUD (1892 \u2013 1974) <\/p>\n\n\n\n\n\n\n\n\n
\nTrio op. 47 (1928) \u2013 pour alto, saxophone t\u00e9nor et piano<\/p>\n
\nHot Sonate (1930) \u2013 pour saxophone et piano<\/p>\n
\nDialog V \u2013 pour saxophone alto et percussion<\/p>\n
\nLa Cr\u00e9ation du monde (1923) \u2013 pour ensemble<\/p>\n
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